Secondly, Flint's watercolour handling of her form is so subtle and nuanced as to be breath-taking - I look at this picture on my wall at home everyday and still admire his skillful technique as much now as when I first saw it 15 years ago.
Even though the figure is reclining, the angle of her body diagonally through the composition suggests a dynamic quality even at rest, which contrasts her pale form against the garish background colours. And the fact that the model is looking away from the viewer suggests this isn't attempting to be a portrait - it is a candid observation of a beautiful rear-view with little pretence or artifice - despite its subject matter.
Apologies for getting carried away - I'm not a great collector of paintings especially watercolours but this is definitely a favourite of mine.
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